As a plane-mad boy growing up with no History Channel Biggles was a staple of my childhood, thanks to my parents taping the movie from ITV one Bank Holiday - a recording I ran to death. Biggles was created as a series of aerial adventure books by W. E. Johns, a World War I pilot himself, for younger readers in 1932. The books were a staple for boys from then until 1970, the series having enough of a loyal following to only end when the author died. Biggles' in-fiction career started off in 1916 but did move forwards through time, taking in post-war time in a charter plane foiling various plots against Britain and then reactivation for World War II, followed by a period as part of a special flying unit. This seems to have been possible by James "Biggles" Bigglesworth and his chums having some sort of sliding lifespan; initially his callow age was a feature but it froze when he hit about 30. The book's attitudes towards race and nationalism congealed at about the same point and by the sixties were firmly out of swing with much around it; one suspects by this point the readership was mainly made up of those who had been reading the books for decades.
Showing posts with label Aircraft. Show all posts
Showing posts with label Aircraft. Show all posts
Thursday, 7 June 2018
Friday, 8 February 2013
Film Review - Aces High
An interesting study of aerial warfare in World War I from Jack Gold, who produced several superficially traditional genre movies with a lot lurking below the surface. The most striking thing about the anti-war Aces High is the repeated theme of the brittle young men forced into such a terrifying idea as aerial combat, barely a couple of decades into heavier-than-air flight becoming successful.
Labels:
1976,
Aircraft,
Christopher Plummer,
Film,
Jack Gold,
John Gielgud,
Malcolm McDowell,
Peter Firth,
Trevor Howard,
WW1
Monday, 4 February 2013
Film Review - The Blue Max
Based on Jack D. Hunter's tale of wartime spin and military corruption, The Blue Max is an odd beast mixing contemporary anti-war sentiment and cynicism with old-fashioned aerial thrills. The obsession with medals - in this case the titular German award - is an interesting foreshadowing of Sam Peckinpah's Cross of Iron, while on paper there's lots of potential to the had by the character and situation of Stachel, a self-interested climber who immediately meets his match in the exploitative political machinations of Count von Klugerman.
Labels:
1966,
Aircraft,
Anton Diffring,
Derren Nesbitt,
Film,
George Peppard,
James Mason,
John Guillermin,
Ursula Andress,
War,
WW1
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