Devised to cash in on the encroaching Silver Age dazzle bleeding across the Atlantic, The Spider is still the crown jewel in IPC Fleetway's pantheon of very British heroes. His antics, printed in the weekly Lion, took place in America (primarily the fictional Croy) but there the similarity with the likes of Spider-Man ended. Of uncertain origin (he just appears, even his species is never really confirmed or denied) the character even started off as a villain, a common theme for strips of the period - The Steel Claw started the same way. Immediately he picked up the services of crooked scientist Professor Pelham and dumb safecracker Roy Ordini, who would be the faces of the army of crime he recruited to help carry out his schemes from a castle overlooking the city.
The format of Vulcan gives it a fair claim to the title of the the greatest British comic of all time, despite being a reprint book. Throughout the sixties especially IPC Fleetway had experimented with fantastical stories more in line with the American industry, albeit the majority employing a peculiarly British slant to the concept. However they never really muscled aside the war and football stories which made up the backbone if the weeklies and gradually moved out of print, defiant innings from 'Robot Archie' (effectively a mascot for Lion) and the Steel Claw (who got a sequel strip, 'Return of the Claw' in Valiant) notwithstanding. It took until the seventies for superheroes to take much of a grip in the UK, when Marvel set up a British division and launched the Mighty World of Marvel, soon followed by Spider-Man Weekly Comics, The Superheroes, The Titans and The Mighty Avengers as the industry briefly boomed. Fleetway took note and responded, merging their library of existing strips into a single fantasy/superhero title - the original Magnificent Seven being 'The Steel Claw', 'The Spider', 'The Trigan Empire', 'Kelly's Eye', 'Mytek the Mighty', 'Saber - King of the Jungle' and 'Robot Archie' - made up the arsenal of Vulcan, edited by Geoff Kemp.
I've read Albion over a dozen times now, and I'm still not sure how to evaluate it. I'll admit I was expecting something a little more straightforward, possibly Watchmen for British superheroes. That said the premise itself isn't really the problem. The central concept is that all the heroes were real, and have been hidden away in a prison in Scotland by the government, while the daughter of the deceased Eric Dolman and a Scouse comic fan named Danny try to break them out. Moreover, this plot more or less works.
I thought long and hard about actually getting this, considering I've seen it described as an atrocity. But a cheap copy came up, and I thought "How bad can it be?". One question that always springs to mind when you read these things is why exactly writers bother bringing back characters if they're going to totally change them... In this way, this thing's a decade ahead of its' time, foreshadowing the damage Marvel and others would do to their characters around the turn of the 21st Century.
