PUBLISHER: IDW (2013-2014)
WRITERS: JOHN BARBER, JAMES ROBERTS
ARTISTS: ATILIO ROJO, PHIL JIMINEZ, JAMES RAIZ, LIVIO RAMONDELLI, ALEX MILNE, BRENDAN CAHILL, NICK ROCHE, ANDREW GRIFFITH
It's that time again! The big IDW big plot big clusterfuck in which the poor hapless writers again try to live up to the hype generated by the company's psychotic PR as once again the lives of the Transformers and/or Cybertron will be CHANGED FOREVER or at least for another 12 months or so. While the storyline ran through both Robots in Disguise and More Than Meets the Eye (not to mention bracketed by a pair of one-shots, like a proper comic event) with both the usual writers handling whatever they usually did "Dark Cybertron" feels much like "Chaos" did - the story of one writer (in this case John Barber) with script input from another (James Roberts). In theory this set-up should work - Barber can plot almost as well as a proper comics writer while Roberts is more suited to a smaller soap style.
[Spoilers Follow]
PUBLISHER: IDW, 2013
WRITER: JAMES ROBERTS
ARTIST: ALEX MILNE, JAMES RAIZ
Despite everyone hating Chaos - including writer Mike Costa probably, what with him hating everything - IDW decided that a big gigantic event was what everyone really wanted from Transformers comics and thus did decree that the crew of the Lost Light return from whatever the fuck they were doing and link up with everyone else on for their planned Dark Cybertron storyline. More Than Meets the Eye, which had been just fine pottering off into space thank you very much, was spared the build-up work (handled by John Barber's Cybertron-based Robots in Disguise) but had to get its' house in order - there were even rumours early on that the book would either be cancelled or retooled. While it didn't really come close it meant that Roberts clearly decided to fast-track a couple of plot threads to be addressed before the crossover.
[Spoilers Follow]
PUBLISHER: IDW (2012-2013)
WRITER: JAMES ROBERTS
ARTISTS: ALEX MILNE, BRENDAN CAHILL, GUIDO GUIDI, AGUSTIN PADILLA
There's a question deep in the heart of James Roberts' writing which boils down to one issue - is it worth short-term frustration for a long-term payoff? It's a difficult one; the quality of the payoff plays a big part but so does the nature of the frustration. Throughout the first three volumes (which amount to about a year's worth of comics, which is one Watchmen) it's been pretty clear that everyone we've seen far too much of is part of some grander plan and in the fourth collection things finally begin paying off. Partly. For some characters.
PUBLISHER: IDW (2012)
WRITER: JAMES ROBERTS
ARTISTS: JIMBO SALGADO, EMIL CABALTIERRA, GUIDO GUIDI, ALEX MILNE
Comic annuals are a funny thing usually; not the hardbacked volumes that result in so much shared cultural memories in the UK, but the American comic version - a double or triple length issue which had to come out alongside the monthly book and avoid clashing with the monthly issues it was ran alongside while having some sort of point. Quite why IDW decided to revive the format I don't know, though they were at least able to keep the writers on both even if the artists couldn't fit it into their schedules. The third MTMTE trade collects that title's annual and the three-part "Shadowplay" story that was James Roberts' solution to the Optimus Prime mandate received from Hasbro. Both show him at his strongest and weakest.
PUBLISHER: IDW (2012)
WRITER: JAMES ROBERTS
ARTIST: ALEX MILNE
With the setup of the first volume out of the way More Than Meets the Eye finally kicks into gear, Kind of, intermittently, for a bit. The phrase is "meticulous build-up" and little hints and hooks are scattered throughout the five issues collected here that will presumably be explored some way down the line, carefully hidden among throw-away lines and simpler resolutions. There's a certain fun to be had from such puzzle-piece series - Warren Ellis' Planetary is still very much the daddy of the approach - but it can be a difficult thing to pull off. Roberts' problem as such is that while some of the characters are waiting to be explored they enter a holding pattern of recycling their basic start point; the danger is the reader can already be fed up with schtick like Ultra Magnus' exaggerated pedantry and inflexibility or Swerve's being a twat long before the writer stops giving them scenes hammering this aspect home.
PUBLISHER: IDW (2011-2012)
WRITER: JAMES ROBERTS
ARTISTS: NICK ROCHE, ALEX MILNE
IDW had stepped Transformers up to two issues a month using parallel stories for the last few issues of the ongoing series, all part of preparation for two series by separate creative teams as they tried to relaunch the franchise for the 64th time. John Barber stayed on Cybertron while James Roberts cherry picked his favourites and set off into space on a quest for the Knights of Cybertron for More Than Meets the Eye. MTMTE has since gone on to gather a small but psychotic fandom of around the same since of Hartlepool United's but for now we're going to focus on the first batch of issues. Or episodes; among MTMTE's many, many eccentricities is that it's not a comic but actually a TV show with seasons that last a couple of years. In which case this first collection is the free DVD you get with Sunday newspapers that contains a couple of trailers, some potted character bios, several wallpapers and a screensaver.
