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There's also a staggering use of convenience. As a fan of Doctor Who I always used to find it quite irritating that the Doctor and his sidekick would spent so much of the first episode or so trying to persuade the powers that be of where they landed that they weren't dangerous, and always liked any episode that found a half-decent way around this. But "Mission to Destiny" simply has its' drugged-out space farmers awaken from an artificial sleep to find a murdered crewmate and a group of strangers who've teleported aboard and do not for a single second think this boarding party might have anything to do with it. I mean, they're right because of course Vila or Jenna didn't murder Rafford, but seriously - they even go on a wild goose chase looking for a possible stowaway before acknowledging stowing away would be impossible! For God's sake Tel, you could have killed twenty minutes having the Liberator crew under suspicion, span it out into a two-parter and binned off "Project Avalon". And later on Blake then leaves Avon and Cally on the ship while he takes the isotope on to Destiny, leaving the pair with a bunch of people he doesn't really know.
And yet somehow despite the random nature of the adventure and the cruiser's idiotically trusting crew it's alright. The characters are crudely defined but defined nonetheless and the acting's largely good, or at least good enough. The real triumph though is the unexpected forefronting of Avon. It's a bit weird that he'd care so much about the murder but then it's odd that any of the Liberator crew would be too fussed, so why shouldn't Avon take the lead just because it utterly contradicts the cold, logical self-interest character he's been so far? Paul Darrow certainly takes the opportunity with both hands and while it's a long way off this possibly planted the germ of him being a viable lead. And yes, he batters Sara but then she was planning to murder him and everyone else, so fair enough really. God knows what it was all about, maybe Gareth had to stage a one-man performance of King Lear on one of the studio days. He gets to lead the initial boarding party but there's not much space for most of the rest of the regulars to do anything.
That early change-around aside it's all inessential and as said very flawed and odd structurally And yet somehow it's strangely enjoyable and rarely all that boring; the neutrotope is a smart macguffin and it's interesting to see some colonists who seem to not care about the Federation one way or another.
In his autobiography Darrow firmly confirms the obvious, that it was an old dusted off idea of Nation's. Presumably the "Numbers are actually letters" thing, the nature of the McGuffin and the space setting being the add ons. If this were, say, an episode of The Avengers where Steed and Tara are called in to solve the murder most of the issues of characters taking our heroes at face value go away.
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